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Watha T. Daniel/Shaw Neighborhood Library

The Benning Branch of the D.C. Public Library was erected at 3935 Benning Road N.E. as the sixth in a series of branch libraries funded under the D.C. Public Works Program. The building was designed by architect Clark T. Harmon in cooperation with the...Read more

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  • Free Your Mind for Reading
    Tuesday, August 10, 2010

    Woman reading a huge book.I would like to talk about psychology for a moment—I promise it relates to libraries.

    Woman reading a huge book.I would like to talk about psychology for a moment—I promise it relates to libraries.

    In 1981 David Burns, a professor in the Department of Psychiatry and Behavioral Sciences at the Stanford University School of Medicine, published a book that changed the face of cognitive behavioral therapy. His book, Feeling Good: The New Mood Therapy, introduced Burns’ own drug-free approach to treating depression and anxiety, and set fire to the blossoming early self-help market. During an especially dark winter years ago, someone gave me this book and I was moved by many elements of Burns’ methodology. One lesson regarding self-coaching and self-sabotage stuck with me over the years—it has to do with “should statements.”

    I should be reading.
    I should be applying for jobs online.
    I should be revising my résumé.
    I should be at the gym.
    I should be doing something other than what I’m doing.

    Burns says that all these jabs create guilt but don’t really improve anything. We want to avoid laziness, but we should recognize that carrying self-imposed guilt is counter-productive. Since internalizing this guideline, I have tried to help others avoid this habitual self-flagellation by exposing “should statements.” Below are some literature-related “should statements” you may have heard or thought:

    I know I should like The Fountainhead, but I just can’t slog through it.
    I’m told Infinite Jest is a masterpiece, but it puts me to sleep.
    The Brothers Karamazov should be blowing my mind, but right now it just blows.

    It happens to all of us—we start a book, read part of it and, despite chiding ourselves for not being captivated like we should be, we never finish. Nancy Pearl, author of Book Lust, gives us a marvelous rule to follow any time we are not enjoying the book we are reading, regardless of whether we should be. She calls it The Rule of 50. The idea is, if you’re just not enjoying a book after 50 pages, then put it down and move on. Time is too precious to waste on a boring book. Pearl continues:

    "Believe me, nobody is going to get any points in heaven by slogging their way through a book they aren't enjoying but think they ought to read… Time is short and the world of books is immense. If you're 50 years old or younger, give every book about 50 pages before you decide to commit yourself to reading it, or give it up.”

    There’s also an interesting addition to the rule for those over 50:

    If you're over fifty, which is when time gets even shorter, subtract your age from 100. The result is the number of pages you should read before deciding.

    Since mood has so much to do with how we read, we may want to come back to a book we once lost interest in. This is especially true if someone whose opinions and tastes you respect has recommended the book.

    Even then, in our culture there is the silent understanding that you are not a true reader unless you read certain classics. Sometimes that should voice leads us to mock ourselves for being feeble-minded because we didn’t like Moby Dick or Crime and Punishment no matter who says we ought to find it life-changing.

    Mocking ourselves? How absurd is that. Not only is it hurtful, but it’s also an obstacle to self-development. If there is anything we should be doing it is remaining open-minded and accommodating to our own psyches. It is simply impossible to read every book recommended by every friend in just one lifetime. Let’s take it one book at a time.

  • Friday, July 23, 2010

    The new Watha T. Daniel/Shaw Library at 1630 7th St. N.W. opens Monday, Aug. 2.  Mark your calendars: The Grand Opening Party is scheduled for Saturday, Aug. 28, 10 a.m. - 4 p.m.

    The new Watha T. Daniel/Shaw Library at 1630 7th St. N.W. opens Monday, Aug. 2.  Mark your calendars: The Grand Opening Party is scheduled for Saturday, Aug. 28, 10 a.m. - 4 p.m.

  • Thursday, July 15, 2010

    Early Literacy Programming en EspañolWe're all about early literacy at Watha T. Daniel Library. Through our children's programming, we strive to get children ready to read. It's always thrilling when a child who's been visiting the library before she could talk one day shouts out a number or word she recognizes during story time. We like to think we had a hand in that!

    Early Literacy Programming en EspañolWe're all about early literacy at Watha T. Daniel Library. Through our children's programming, we strive to get children ready to read. It's always thrilling when a child who's been visiting the library before she could talk one day shouts out a number or word she recognizes during story time. We like to think we had a hand in that!

    As our youngest patrons grow, so do we, with new programming and ways to encourage reading preparation. Spring-boarding off the hugely successful "Mother Goose on the Loose"™ program, Watha T. Daniel Library recently began offering a bilingual version, called "Disfruta y Escucha con Mamá Ganza" or "Mother Goose on the Loose in Español."

    Like the traditional Mother Goose, there are rhymes, music, props and stories, except some segments are presented in Spanish as well as English.Current hit songs include:

    "La Araña Pequeñita (The Eency Weency Spider)"
    "Estrellita, Donde Estas (Twinkle Twinkle Little Star)"
    "Bate Chocolate (Stir the Chocolate)"

    The Mother Goose programs are the brainchild of Dr. Betsy Diamant-Cohen, who has been running programs for parents with children and babies since the '80s.  Even if you're not a native Spanish speaker, the program is a great introduction to the Spanish language.Join us every 2nd and 4th Thursday of the month for Mother Goose on the Loose in Español. Beginning August 2, we'll be in our new building, located at 1630 7th St. N.W.--just a couple of blocks away from our interim location.

    See you soon!

  • Library Opens August 2
    Tuesday, July 13, 2010

    The interim library closed Tuesday, July 13, at 5:30 p.m.  The new Watha T. Daniel/Shaw Library, located at 1630 7th St. N.W., opens Monday, August 2.  Don't forget to mark your calendars for Saturday, August 28, for the Grand Opening Party from 10 a.m. - 4 p.m.

    The new three-level library is approximately 22,000 square feet and features a flexible design to provide inviting spaces for all.

    A light sculpture by local artist Craig Kraft will be installed outside the library. 

    The interim library closed Tuesday, July 13, at 5:30 p.m.  The new Watha T. Daniel/Shaw Library, located at 1630 7th St. N.W., opens Monday, August 2.  Don't forget to mark your calendars for Saturday, August 28, for the Grand Opening Party from 10 a.m. - 4 p.m.

    The new three-level library is approximately 22,000 square feet and features a flexible design to provide inviting spaces for all.

    A light sculpture by local artist Craig Kraft will be installed outside the library. 

  • Monday, July 12, 2010

    Sometimes while watching a film with great music, I think, "Wow, I don’t even need the dialogue—I can tell what’s going on just by the music."

    Sometimes while watching a film with great music, I think, "Wow, I don’t even need the dialogue—I can tell what’s going on just by the music."

    Well-written scores and relevant songs help guide the viewer from scene to scene, and establish timing and tone. A brilliant soundtrack—Star Wars (John Williams), Glory (James Horner), Last of the Mohicans (Trevor Jones and Randy Edelman), and Braveheart (James Horner) come to mind—amplifies and hints at the emotions inexpressible through dialogue and photography.

    “This is where Yoda teaches Luke telekinesis!” I’ve said, while listening to John Williams’ masterpiece soundtrack for The Empire Strikes Back. As a kid I would tune the television to a movie channel, turning the volume all the way down, and play records to fill the sonic space.

    For example, if you play the disco version of Star Wars songs on top of General Hospital, you get instant comedy! These “actors” and “actresses” were taking part in performance art, lampooning themselves without even knowing it. Sometimes other records actually fit the mood of a scene; sometimes the mismatch was comical, but somehow it always worked. I guess it’s easier to create fantasy worlds as children, but even as adults our minds insist on connecting the sound and the image. If the association is not obvious, then we create one. Adaptable creatures, we humans.

    “If you’re under 90, chances are you’ve spent most of your life listening to electronic music. The experience that used to be called music up until the 1920s—listening to someone sing or play a musical instrument live and unamplified—actually forms an increasingly minor percentage of our listening experiences now, Instead, we listen to records, or we listen to the radio.”

    —Brian Eno*

    Growing up in a town as small as mine meant access to, in today’s terms, a very limited variety of music. We had the classic rock station, NPR, the oldies station, and the station that only played heavy metal. You had to just pick a genre and hope they would play a few bands you liked. This was a mixture of suffering and relief, because you had no option but to sit through the other songs, no matter how unappealing they were. Depending on the mood of the DJ, you might get lucky and hear a couple of good songs per hour. If we were out in the car sometimes, we could get something more hip coming out of nearby Ithaca. I know I’m picky, but try imagining your favorite television show with twice as many commercials. It would take twice as long and you’d be twice as brainwashed. Unacceptable! Ahem…

    As a baby, the only thing that could stop my crying was when mom put the adult-sized headphones on my infant-sized head and blasted "Macho Man" by The Village People.

    The…Village…People—as a teenage musician it burned my tongue to say those three words. This is because, as a kid, I witnessed and became caught up in a phenomenon in electronics that would change the world, and my life: the portable audio player.

    "If it keeps up, man will atrophy all his limbs but the push-button finger."

    —Frank Lloyd Wright*

    The first prototype for such a device was made for a rich Sony executive in 1978, so he could listen to opera on long flights. He was so impressed that he took the idea to Sony, and the rest was history. The Walkman became commercially available in 1980 but was not affordable until the mid-eighties, when it exploded in popularity. This unwittingly launched a social trend that continues today (its mighty descendant, the iPod, would amplify the cultural waves made by the Walkman, but the social shift started with the Walkman).

    Suddenly it seemed like everyone everywhere was strapped into the personal audio universe. Unlike the limits that radio imposed, anyone with a Walkman could essentially create soundtracks for silent, uninteresting parts of their lives, tailoring them to fit and enhance their moods. A walk to work could become a symphonic event (musicologist Iain Chambers calls this the Aural Walk). We started scoring our own personal movies, creating what producer/non-musician/musician Brian Eno called soundscapes. Sony helped us to return to our childlike fantasy worlds, the perfect escape just when we Cold War kids/Gen-X’ers needed the distraction most. Portable audio systems had truly created an imaginary audio universe—cassette sales soared.
    "Technological progress has merely provided us with more efficient means for going backwards."
    —Aldous Huxley*

    By nature, the aural walk is a profoundly private experience. Like a sonic version of dark sunglasses, it tends to force listeners to deemphasize their physical environment, to disengage from fellow humans on the street—mere extras in the listener's own film, not fellow actors in a shared movie. This takes on an even more sinister hue when you look at electronics that seem bent on blocking out the external world. I recently upgraded from a great pair of normal Bose headphones to a pair of Bose noise-canceling headphones. I say upgraded, but I am still evaluating this on personal and social levels. I think it largely depends on how you use your device.

    Some city-dwellers attempt to fill the perceived (I believe this to be imaginary) emptiness of metropolitan life with an ever-changing cornucopia of external stimuli. This is a lonely path Gen-X has blazed with help from the Sony Walkman and now the iPod. However, I see value in using music as medicine to improve mood and escape pain, as long as it's not expected to do all the work. When taken too far, it can be a little like over-applying makeup to a permanently ugly face. At some point you need to embrace what's real and be willing to live with it in silence.

    If walking around feels truly meaningless, even the most beautiful sounds can only fill so much space. I see the seas of young people plugged-in and tuned-out, and I choose to believe they are probably just a bunch of people who love music. Some people are urban nomads at heart, having taken the aural walk and melded it with their lives, creating a sort of art form that explores endless combinations of music and surroundings. Along the way these folks inadvertently internalize certain laws of aesthetics and probably enter a meditative, healing musical state. Whether you think of it as wandering a musically-enhanced landscape or navigating a visually-enhanced soundscape, in the end the aural walk helps us to feel like ourselves, even to become ourselves. Maybe it's a little sick, but for better or worse technology has helped bring us back to our fantasy lands. Please enjoy responsibly.

  • Friday, July 2, 2010

    Picture of foodI have had an insatiable sweet tooth all my life. When I'm "full," I mean that I can't have another bite of the main course; there’s always room for dessert. Fortunately I've grown enough to appreciate more than just sweets.

    Picture of foodI have had an insatiable sweet tooth all my life. When I'm "full," I mean that I can't have another bite of the main course; there’s always room for dessert. Fortunately I've grown enough to appreciate more than just sweets. In addition, it has become (almost) as delightful to experience a story about food as it is to eat it; whether it's a foodie memoir, a movie, or a work of fiction with sumptuous descriptions, I feel in good company when an artist captures the pleasures of food.

    In The Particular Sadness of Lemon Cake by Aimee Bender, nine-year-old Rose Edelstein discovers that she can taste the emotions of every person involved in the food she eats, from the farmer who planted the seeds to the person who prepared the meal. Like the empathic John Coffey in The Green Mile, however, Rose becomes more burdened than uplifted by her gift, making Lemon Cake a melancholy story laced with magical realism.

    Which brings us to the master of magical realism, Laura Esquivel. If you have not read the novel Like Water for Chocolate, or watched the film adaptation, you are denying yourself a treat. Tita, the youngest daughter in the De la Garza family, is forbidden to marry her lover Pedro because her Mama Elena adheres to the tradition that the youngest daughter must remain unmarried in order to care for her mother. Doomed to live without Tita, Pedro reluctantly marries her older sister Rosaura; however, Tita, who is a gifted cook, unconsciously uses her extraordinary culinary skills to draw Pedro back to her. The mother-daughter struggle continues throughout the book until Tita eventually finds a way to express herself outside the kitchen and at last gets a chance at love. Like Water for Chocolate also features Tita's recipes; a bewitched, naked sister running off on horseback (still naked) with her newfound lover; and a dose of tragedy which, fortunately, does not detract from the whimsy, humor and richness of the book.

    Antwone Fisher, based on Fisher's memoir, Finding Fish, is definitely not a story with food at its center. Rather, it is a painful account of his life in foster care, where Fisher suffered constant humiliation from his foster mother and sexual abuse at the hands of a female neighbor. Directed by Denzel Washington, the movie begins with the adult Antwone, enlisted in the navy, placed under orders to see a psychiatrist due to a violent outburst. Through therapy he uncovers his pain and confronts the memories that haunt him. Food comes into play in a particularly touching scene: Antwone has tracked down a family relation, and after a brief but promising phone conversation she invites him over for a meal. Not only does Antwone meet his aunt; his entire extended family awaits him, standing around a table overflowing with food. If you want to know what happens, you can read the user reviews here, but if you are a sucker for poignant moments, you'll want to see this scene play out and learn more about its significance.

    DC Public Library has a bountiful selection of food-inspired fiction, movies and memoirs. Enjoy!

    Fiction

    Memoir

    DVDs

  • Interim Library Closes July 13
    Thursday, July 1, 2010

    The interim library will close Tuesday, July 13, at 5:30 p.m.  The new Watha T. Daniel/Shaw Library, located at 1630 7th St. N.W., opens Monday, August 2.  Don't forget to mark your calendars for Saturday, August 28, for the Grand Opening Party from 10 a.m. - 4 p.m.

    The new three-level library is approximately 22,000 square feet and features a flexible design to provide inviting spaces for all.

    It includes:

    The interim library will close Tuesday, July 13, at 5:30 p.m.  The new Watha T. Daniel/Shaw Library, located at 1630 7th St. N.W., opens Monday, August 2.  Don't forget to mark your calendars for Saturday, August 28, for the Grand Opening Party from 10 a.m. - 4 p.m.

    The new three-level library is approximately 22,000 square feet and features a flexible design to provide inviting spaces for all.

    It includes:

    • Separate reading areas for adults, teens and children
    • Children’s program room
    • Space for 80,000 books, DVDs, CDs and other library materials
    • 32 public access computers with free Wi-Fi Internet access
    • Comfortable seating for 200 customers
    • Large program room for up to 100 people
    • Two 12-person conference rooms
    • Vending area

    A light sculpture by local artist Craig Kraft will be installed outside the library. 

  • Wednesday, June 30, 2010

    The Watha T. Daniel branch of the District of Columbia Public Library system is not your typical library. Very rarely do we enjoy pockets of "silence." There are activities all over the small, one-floor, interim building. Five-feet-tall bookshelves section off “different” areas -- children’s, young adult, and adult.

    The Watha T. Daniel branch of the District of Columbia Public Library system is not your typical library. Very rarely do we enjoy pockets of "silence." There are activities all over the small, one-floor, interim building. Five-feet-tall bookshelves section off “different” areas -- children’s, young adult, and adult.

    The available "open spaces" teem with activities -- it is not just the children Casey with Kids
     Jamilla with kids who keep the beat, Rock(ing) Along With Casey (Danielson); I often see adults busy on the public computers, tapping their toes to the catchy music pouring out of Casey’s guitar.

    More than 50 toddlers, two- and three-year-olds flock to enjoy and participate in the Spanish Mother Goose on the Loose program with our lively Jamilla Coleman.

    Towanda Gravitt reigns supreme over the urban fiction collection, wheeling and dealing all day long with her large following ranging from teens to older adults. Off in another corner the history book club meets, Paul Sweeney facilitating animated Socratic dialogues on the politics of Aristotle and the Federalist Papers. Eric Riley chats and knits a Wednesday evening away with his knitting group regulars. Nick Hirsch’s little band must be dragged away from their craft-and- story-time sessions lisping "Eensy Weensy Spider" and admiring their creations -- spiders made from colorful pipe cleaners. Intermittent yells of delight or groans at near misses come from the teens enjoying Wii tournaments in their own space, or grouped around a computer, sharing happenings of their worlds on FaceBook...
    Eric Riley, branch manager, describes it as the “the nexus of the neighborhood,” “an incubator for innovative programming.” Or as one of our regular customers describes it, the branch is like a “Frontier general store - full of expressed energy."                       

    As we transition to the new Watha T. Daniel building, reopening 35 years after the original building first opened, we will continue to have more programs and more staff. Here is a glimpse of some of the innovative programs in the pipeline:
    • Makers -  a program to reinvigorate interest in engineering and design through interactive use of a 3-D printer and 3-D modeling software.
    • Digital Scrapbook - to provide a visual, interactive resource on Shaw neighborhood history.
    • Glee Club /Garage Band- To learn how to write, play, and record popular music.
    • Art Space project -- to expose members of the public to analysis and appreciation of various forms of art, painting & sculpture, to introduce people of all ages to art from different eras and cultural backgrounds, to introduce methods of art creation & engage the audience in a critical
      discussion of art.
    • Bollywood Dance Aerobics -- Additional staff will join this creative band.

    So stay tuned as we profile each staff member of this library here in the coming months: Lorraine Boyd, Casey Danielson, Jamilla Colemen, Towanda Gravitt, Nicholas Hirch, Eric Riley, Jayanthi Sambasivan, Paul Sweeney.

  • Thursday, June 10, 2010

    Picture of Rachel and a wild animal...Well, maybe they're not really "on the loose." Meet live animals and their handler Rachel on Saturday, June 12, when Wetlands Alive! comes to the Shaw/Watha T. Daniel branch. Kids, teens, and families are invited to come for an interactive, hands-on experience.

    Picture of Rachel and a wild animal...Well, maybe they're not really "on the loose." Meet live animals and their handler Rachel on Saturday, June 12, when Wetlands Alive! comes to the Shaw/Watha T. Daniel branch. Kids, teens, and families are invited to come for an interactive, hands-on experience. Have a wildly exciting time at this live show! Afterward, sign up for DC Public Library's Make a Splash! summer reading program to earn prizes for reading all summer long.

  • Friday, May 21, 2010

    For our Great Coffee, Great Books book club selection this month we're reading The Guernsey Literary and Potato-Peel Pie Society. I began reading it yesterday and fell so deeply in love that I made it halfway through the novel in an afternoon.

    For our Great Coffee, Great Books book club selection this month we're reading The Guernsey Literary and Potato-Peel Pie Society. I began reading it yesterday and fell so deeply in love that I made it halfway through the novel in an afternoon. Apart from the simple fact that reading letters is a quicker endeavor than reading a narrative story, the book struck a chord in me and I couldn't bear to put it down until I was falling asleep.

    My family has lived here in America for nearly 400 years, and though they were English when they came here, we've not kept any ties to whatever distant family there may still be out there across the sea.

    But it's not the blood-connection to the English that's resonating with me. It's the storytelling. The characters in Guernsey remind me so deeply of my family, and the way they tell a story, such that I want to hear every single detail. I want to hear how Elizabeth McKenna slapped Adelaide Addison across the face in the church, how they rendered pig fat into soap and how the ladies cried over it, and what a loving reunion it was when the children returned from the countryside and young Eli learned how to whittle animals, even though wood was a scarce commodity. It's the little stories of their lives that intrigue me.

    But Guernsey isn't the only book that has caught me up like this. I fell in love with Lake Wobegone Days by Garrison Keillor when I was a teen. The quiet humor and the subtle pathos of the people living their lives out there in rural Minnesota was yet another tie to those stories my parents told me about their lives growing up in small towns in Ohio and Kentucky. That got me to start listening to the Prairie Home Companion on NPR and making an evening of a Saturday night with knitting, hot tea and colorful stories on the radio. Moments like that just warm my heart.

    image of Steel Magnolias videoOther books that captured that spirit of downhome storytelling with a sense of humor were Ferrol Sams' book Run with the Horsemen about a boy growing up in rural Georgia. I read Horsemen around the same time as I read Wobegone, and they both tapped that same chord in me. Similarly, David Sedaris' short stories in Barrel Fever and Dress Your Family in Corduroy and Denim, about his wacky family in South Carolina, while more contemporary, also have that same evocative flavor. Though sad in their own way, the movies Fried Green Tomatoes and Steel Magnolias also have that resonance, and I'll never forget the feeling I get when reading these books and watching these movies.

    There's something about knowing the lives of the people around you, and the sheer joy that comes from hearing those tales. It's the best part of calling my mother, just to find out what's been going on in town and who got hit by a tractor, who's having a baby, who got mad at whom in church, what did my cousins down by the river do now. Though I've been gone from there nigh on 15 years, to hear my mother tell me those stories, it's like being right back there again. Sitting on the front porch swing, drinking sweet tea, waiting for grandma to make Sunday dinner after church and being there with the whole family. That's where these books take me. Right there.

Watha T. Daniel/Shaw